Dissecting the Fringe: Edinburgh
Diary
Friday 10th
The current
fashion for science and rationalism in stand-up reaches some sort of
a climax when AC Grayling speaks/performs/lectures tonight on the
Fringe. This trend is partly an extension of the twee comedy of a few
years ago (shows about mixtapes, home-made fliers, etc), with Josie
Long's defence of the Enlightenment one obvious conduit. Other
comics, such as Robin Ince, have been working at the comedy-science
coalface for longer, and the more general cultural interest with
science and rationalism has also helped.
Comedy and science
are not natural bedfellows. (Comedy and rationalism, i.e., debunking
astrology, homeopathy and other new age beliefs, are much more
obvious allies.) This isn't to say that the two can't be combined,
just that the balance between them is very difficult to get right,
more difficult than, say, comedy and politics. Too much scientific
detail anaesethises the comedy; too little turns the comedy into
shallow name-dropping.i
(Politics, by contrast, is inherently dramatic and about
performances, and requries just a little exaggeration to become
ridiculous.)
Of course, the
scientist-comedians are aware of this danger, and plan accordingly.
By way of brief and extremely unscientific illustration, consider two
shows I saw yesterday: Helen Arney and Domestic Science (a
double act between Ms. Arney and Rob Wells).ii
Domestic Science avoided the dilemma just described by not
really being about science; some of the jokes relied on scientific
references, but for the most part it was a standard double-act, with
sock puppets, audience participation, and the occasional spat between
the performers. The scientific content featured largely as a pretext
for these set-pieces. The recurring soap operas featuring the
domestic lives of famous scientists relied far more on spoofing bad
television than any detailed knowledge of the work of Marie Curie or
Charles Darwin.
Helen Arney is
leading name in the science-comedy movement, but her solo show wasn't
as convincing a vehicle for her undoubted talents. Voice of an
Angle was just as whimsical as Domestic Science, but the
powerpoint-heavy format felt more like a presentation, and there were
fewer concessions to straightforward comedy. The humour was certainly
more reliant on recognising scientific terms, but more importantly
too much of it relied on the premise that science and the ukelele are
an inherently funny combination. This might be true on the radio
(specificially Radio 4, on which Arney has performed), but as a live
comedy show it didn't have enough punch or downright silliness. Like the kind of culture-geek comedy purveyed by Project Adorno, the science-comedy crossover is basically a good thing, but not the easiest to master.
i I
blame Tom Lehrer. It was funny to put the Periodic Table to jaunty
music, but it wasn't a particularly good comic song, and
unfortunately it's become a template for a lot of subsequent ditties
listing reams of scientific data to little comic effect.
ii
Disclosure: I know Mr. Wells. I even know his real
surname.
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